Author Archives: Jon Solomon

Wed 4/17, 8PM: An interview with Kinski

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Listen to WPRB 103.3 FM on Wednesday, April 17th at 8:00 pm ET as Jon Solomon talks with one of his favorites, the tremendous rock band Kinski.

After a relatively inactive six years, Seattle’s Kinski have returned with their sixth studio album “Cosy Moments,” released last week on Kill Rock Stars.

Dusted rightfully praises their effort, writing:

“Cosy Moments is a fantastic rock album, and like all Kinski albums, it gets you to wondering whether it’s just a rock album or something transcendent…This is one of the best guitar rock albums of the year.”

The four members of Kinski stopped by WPRB during their first East Coast tour since the late 2000s to talk about the new record, the band’s slight change in direction, and to answer various questions that have always nagged long-time Kinski appreciator Solomon.

Here’s a ragin’ song off of “Cosy Moments” called “Conflict Free Diamonds”:


Stream the full album here.

You can follow the band on Twitter or become a fan on the Facebook.

Can catch Kinski at Death By Audio in Brooklyn on Friday, April 19th.

Wed 3/27, 8PM: An interview with “Couldn’t You Wait” director Seth Pomeroy

Listen to WPRB 103.3 FM on Wednesday, March 27th at 8:00 pm ET as Jon Solomon interviews director Seth Pomeroy about his documentary Couldn’t You Wait?: The Story Of Silkworm.

Nearly seven years in the making, Pomeroy’s tremendous film about one of America’s great rock bands (which includes interviews with Steve Albini, Jeff Tweedy, Stephen Malkmus and Gerard Cosloy among others) was released last month to universal acclaim.

In a nearly 80 minute conversation that will air for the first time this Wednesday evening, Pomeroy and Solomon talk extensively about the development of this project, the obstacles encountered along the way and their mutual love of Silkworm’s impressive body of work. A few selections from the Silkworm catalogue are added throughout for good measure.

You can purchase a DRM-free download of Couldn’t You Wait? for just $5 but there are hours of impressive bonus features available at the $10 and $20 levels.

The trailer for Pomeroy’s movie is embedded below:


You can learn more on the film’s Facebook and Twitter pages.

waxahatchee

Wed 2/20, 8PM: Waxahatchee on Jon Solomon’s program

Listen to WPRB 103.3 FM on Wednesday, February 20th at 8:00 pm ET as Jon Solomon welcomes Don Giovanni recording artist Waxahatchee to the Doctor Cosmo Production Studio for a live session.

Waxahatchee is the voice and guitar of Ms. Katie Crutchfield, formerly of P.S. Eliot. Her tremendous, tiny and personal debut “American Weekend” was included on Solomon’s “Best of 2012” program.

Coke Machine Glow wrote kindly about this record last year, saying:

“[A] damned great album. Think of it as a kind-of Blue (1971) for the basement punk set. Like Joni Mitchell, Crutchfield displays a rare emotional intelligence in singer-songwriters.”

Above, Crutchfield performs in an Oklahoma cemetery.

Her second LP “Cerulean Salt” will be released next month. Here’s a preview track from this anticipated record titled “Peace & Quiet”

[soundcloud url="http://api.soundcloud.com/tracks/76264002" params="" width=" 100%" height="166" iframe="true" /]

Want more? You can stream Waxahatchee’s split cassette with Chris Clavin here.

Wed 2/13, 8PM: Trummors on Jon Solomon’s program

trummors

Listen to 103.3 fm WPRB on Wednesday, February 13th at 8:00 pm ET as Jon Solomon welcomes Ernest Jenning recording artist Trummors to the station for a live session.

The lovely, whispy duo of Anne Cunningham and David Lerner (formerly of Native Nod and Ted Leo & The Pharmacists) released their debut album “Over & Around The Clove” last year and Alternative Press wrote of it at the time:

“An album made for listening while you stare from your back porch (or apartment window) as the sun sets…the latest proof that the well of traditional American music is truly bottomless.

Here is a video for the record’s title track.

[youtube http://www.youtube.com/watch?v=AlpY-75-KrQ&version=3&hl=en_US]

You can see Trummors live on Valentines Day in Philadelphia at Kung Fu Necktie with Mary Lattimore, Fred Thomas and Morning River Band.

For more Trummors visit their Tumblr, become a fan on Facebook or follow them on Twitter.

hellojews

Jon Solomon’s 24-Hour Holiday Radio Show Returns To WPRB On 12/24!

Mark your calendars, set the clocks: Jon Solomon’s 24th edition of the 24-Hour Holiday Radio Show is coming soon!

The marathon begins on Monday, December 24 at 6:00 PM ET and ends Tuesday, December 25 at 6:00 PM ET.

It’s not Christmas without Jon’s annual holiday marathon. From the absurd and bizarre to the beautiful and almost-kinda-holy, Jon’s show traverses the terrain of holiday music. No two marathons are alike, and perhaps that’s why listeners both near and far flock to the radio and/or webstream.

An influx of never-before-played pieces and original stories/songs recorded specifically for the program are in store come Christmas Eve 2012.

You can RSVP for this show on Facebook.

Jon wants you to know that if you would like to make some requests, by all means get in touch.

Watch a live stream of everything happening in Studio A (goes live on December 24th):

Streaming by Ustream

Live listener chat:

Wed 9/12, 8PM: Jon Solomon interviews Mission Of Burma.

Listen to 103.3 fm WPRB on Wednesday, September 12th at 8:00 pm ET as Jon Solomon presents an interview with Fire recording artist and long-time station favorites Mission Of Burma.

Solomon caught the four members of Burma – Roger Miller, Clint Conley, Peter Prescott and Bob Weston – in their dressing room at Union Transfer last week prior to a scorching, career-spanning set. They discussed the history of the group, 2002′s reformation and the band’s excellent new album “Unsound.”

Here’s Fire Records with more on Mission Of Burma’s fourth post-reunion effort:

From the outset, ‘Unsound’ was not going to be like any other Mission of Burma album. As expected, the material is raw, primal and aggressive. They still have a signature knack for twisting even the most ferocious noise into complex structures. There are, of course, those killer hooks scattered throughout, but just not quite where you would expect. Yet with all three lead members resolutely making the decision to deliberately stretch their boundaries even further, they stepped out of their comfort zone to create their most rewarding, bewildering and multifaceted long-player yet. With a new label home, ‘Unsound’ will be released on Fire Records in July.

‘Unsound’ is Mission of Burma’s fifth studio album, continuing their remarkable legacy. It seems redundant now to even call it a comeback because they’re a dynamic, current band. Originally together just four years, from 1979-83, Mission of Burma reformed in 2002 for a handful of shows…which let to more concerts, then more, and eventually the release of 2004′s “ONoffON”, their first new recording in over twenty years. But no one expected them to just keep putting out records, let alone records that were every bit as vital and influential as their seminal early recordings. Their first album ‘Vs’ is down in the annals of time as being one of the most important post-punk records ever. Their subsequent recordings: “ONoffON”, “The Obliterati”, “The Sound, The Speed, The Light”, and now, “Unsound”, continue to grow in scope, depth and accomplishment with every step.

On “Unsound” we see Mission of Burma messing with their comfort zone by recording in their Boston rehearsal space which doubles as a recording studio: Analog Divide. As usual, Roger Miller (guitar, vocals), Clint Conley (bass, vocals) and Peter Prescott (drums, vocals) share the songwriting credits with their distinct styles. All of them tried their hand at other instruments and sounds, allowing them to take risks with their creativity and giving them a more fluid line-up. Of course, regular fourth member Bob Weston (of Shellac) was on hand to provide the tape loops and production duties.

As part of the manifesto to stretch musical boundaries, Roger wrote two of his songs (“Opener” and “ADD in Unison”) on the bass rather than guitar. Another (“Dust Devil”) was based on an acoustic guitar improvisation. Both Clint and Peter also tweaked their writing just enough to make them feel it was actually worthwhile making another record. They also decided to use trumpet on the record, so Bob pulled out his trumpet playing skills to oblige.

Peter Prescott describes the experience: “We are a four headed hydra trying to create unity without canceling or censoring each head. So we juggle melody, groove, noise, depression, disruption, ecstasy… tension, release. I guess it’s thrilling for us to walk that musical tightrope.”

Clint Conley describes being in the studio: “There were certain technological advances, as well, that might have been unthinkable just a few short years ago, in a distant time and century. During the mix at Woolly Mammoth, Peter occasionally opted for a virtual presence. From time to time a hologram of his head would appear, hovering in a darkened corner, issuing directives and encouragement. Not to say there weren’t occasional glitches in the system. For a few days the hologram seemed locked in a mystifying loop, calling for more cymbals, regardless of whether the band were working on a mix or ordering Vietnamese food.”

The results are spectacularly successful. With ‘Unsound’, Mission of Burma has achieved its goal of making something utterly unique and stretching the realms of musical possibility. Mission of Burma’s curiosity and creativity remain undiminished. The graph just keeps rising…the boundaries breaking…and the ears ringing. Long may it continue.”

Finally, video of Burma doing “Donna Sumeria” during their show Friday:

[youtube http://www.youtube.com/watch?v=ZMe-CS-ArAA&version=3&hl=en_US]

Wed 5/16, 8PM: Tim Foljahn live on WPRB

Listen to 103.3 fm WPRB on Wednesday, May 16th at 8:00 pm ET as Jon Solomon welcomes Kiam recording artist Tim Foljahn to the Doctor Cosmo Production Studio for an exclusive live performance.

Here’s what Kiam had to say about Foljahn’s simultaneously bleak and uplifting new record “Songs For An Age Of Extinction”:

Tim Foljahn is a Michigan-born, New York-based singer-songwriter/guitarist who has more than likely played on one of your favorite records.

Some highlights from the tip of his iceberg-sized resume: He was the guitarist on the first two Cat Power records. He toured with and worked on the final Townes Van Zandt recordings. He lent his guitar skills to Half Japanese as well as the Boredoms. He played on the fantastic Thurston Moore solo record Psychic Hearts.

All the while, Foljahn released a series of his own brooding and lovely song cycles and experimental recordings under the moniker Two Dollar Guitar. With Sonic Youth’s Steve Shelley on drums and a revolving cast of band and tour mates, including Smokey Hormel, Chris Brokaw and Christina Rosenvinge, the group released six albums on Shelley’s Smells Like Records label.

Songs For An Age Of Extinction is Foljahn’s first “song-based” record since Two Dollar Guitar’s The Wear and Tear of Fear from 2006 and his first release for Kiam Records. The wait has been long, but worth it.

The seven songs on Songs For An Age Of Extinction are long and languid—the shortest is over four minutes and the longest is over ten. But even marathon tracks like “The Dust of Exploded Stars” never wander aimlessly: Foljahn knows just where the songs are headed and you just have to have the trust and patience to follow him there.

On the album’s third track “Faded”, Foljahn sings the question, “How do I leave what’s gone?” His voice is searching but also somehow sounds comfortable in its sense of unease. It’s a defining, poignant moment on a record full of them.

“We really are in an age of extinction,” Foljahn said. “Species disappearing in droves – that as a fact and as a metaphor. It’s not the end of the world. Time, space, beliefs, people, relationships come and go and other stuff comes in. It’s a little corny but it is kind of cycle of life type stuff and how the universe interacts with us.”

The sound of the record is typically awash in Foljahn’s distinct, lush guitar playing and deep, rich vocal melodies, but also features a new element: piano.

“There are always songs kicking around but I think what made me think I had a record going were the songs I started writing on piano,” Foljahn said. “That seemed like a new direction worth exploring. I love the full resonance of the Wurlitzer. Like guitar, it functions so well by itself, can do chords and melody lines. But I think the real reason I was drawn to the piano is that I have lost a lot of the primitiveness and crudeness in my guitar playing, and I think I really missed that sort of simplicity. I have that in spades on the keys. There is nothing subtle or fancy happening there.”

Songs For An Age of Extinction was recorded by Foljahn at his home studio over the course of a year and mixed by Tom Beaujour at Nuthouse Recording in Hoboken. Foljahn plays everything on the record with two exceptions: Alexa Wilding plays piano and sings on “War Song” and Kirsten McCord plays cello on “Faded.”

Beaujour was particularly impressed with Foljahn’s recording skills: “When you get tracks that were recorded in an apartment with less than $500 worth of equipment that sound as good as Tim’s did, your initial impulse is to fucking light all the pricey gear in the studio on fire and go fishing. Once that passes, you just want to make sure that you do the work justice and don’t make anything worse than it was when it came in the door.”

Here is video of Foljahn covering a Ramones song at Time Out New York.

[youtube http://www.youtube.com/watch?v=nb3CwpIhPtI&version=3&hl=en_US]

Look for an equally excellent cover in their WPRB session!

Wed 4/18, 8PM: Nervous Curtains live on WPRB

Listen to 103.3 fm WPRB on Wednesday, April 18th at 8:00 pm ET as Jon Solomon welcomes Latest Flame trio Nervous Curtains all the way from Texas to the Doctor Cosmo Production Studio for an exclusive live performance.

Here’s the press release for the band’s fine second album “Fake Infinity”:

With their amplified synth-rock and creeped-out, cryptic vocal hooks, Nervous Curtains’ new record takes you into a world of Fake Infinity where everything you think you know is wrong. The canvas here is filled out by black space organ and pulverized synthesizers. The grand piano that dominated the Dallas, TX-based trio’s 2010 debut, Out of Sync with Time, is used sparingly, lending these songs an aura of impenetrability. Sean Kirkpatrick, formerly of The Paper Chase, has written a record that wakes you up and shakes you out of the usual stupor.

Taking the dislocation and anxious agitation of 70s post-punkers such as Magazine or early Ultravox and injecting a jagged noise rock aesthetic and dynamic moodiness, Nervous Curtains avoids retro devotion while producing a memorable and authentic sonic experience. Kirkpatrick creates narrators whose pathologies and disorders put them at odds with the world around them on “Moody Photos,” “Wired to Make Waves” and “The Crooked Telepathic.” “Come Around Viral” subverts the usual feel-good aesthetic of spiritual connectedness with a darker undercurrent. Album centerpiece “It’s the End of Eternity” brings you into the post-apocalyptic world of your own adulthood.

The song is a landscape where discarded metal bakes on the broken concrete foundations of abandoned buildings and carefree summers of youth have given way to oppressive heat waves. As naive optimism and idealism have been destroyed, the band seeks a new kind of beauty in the rubble.When the world is at its end, it is whatever you make it to be. Once you understand that we’re living in Fake Infinity, a new concept of personal success is born within the crumbling system. When the final track, “Letter of Resignation,” tells you to “kill your dreams before they kill you”—you’re grateful for the advice. Nervous Curtains promises you, this is no beach party.

Nervous Curtains has released a series of videos for songs from this release. Below you’ll find one built around the track “Come Around Viral.”

[youtube http://www.youtube.com/watch?v=8edpNUtE3XM&version=3&hl=en_US]

Jon Solomon’s 24-Hour Holiday Radio Show Returns To WPRB On 12/24!

Mark your calendars, set the clocks: Jon Solomon’s 24th Annual 24-Hour Holiday Radio Show is coming soon! The marathon begins on Saturday, December 24 at 6:00 PM ET and ends Sunday, December 25 at 6:00 PM ET.

It’s not Christmas without Jon’s annual holiday marathon. Seriously! From the absurd and bizarre to the beautiful and almost-kinda-holy, Jon’s show traverses the terrain of holiday music. No two marathons are alike, and perhaps that’s why listeners both near and far flock to the radio and/or webstream. So says Inside Jersey:

Forget the Bing Crosby-Nat King Cole-Mariah Carey loop that seems to air on every station in every mall – Solomon mixes covers of traditional hits with songs by bands from the region, recordings lost to attics and basements, and esoteric picks like “Mr. Russian, Please Don’t Shoot Down Santa’s Sleigh,” a Cold War-era number.

Which is not to be confused with “Can Santa Miss Those Missiles,” Solomon says.

You can RSVP for this show on Facebook.

Jon wants you to know that if you would like to make some requests, by all means get in touch.

Watch a live stream of everything happening in Studio A (goes live on December 24th):

The Doctor Cosmo Production Studio

When much-loved “Nocturnal Transmissions” host Doctor Cosmo passed away in early April, it was decided soon thereafter that a fitting, lasting tribute would be to name the station’s Production Studio after him.

Since first coming to WPRB in 1991, Cosmo recorded bands of every possible shape, size and sound here and all future sessions will be engineered in a space bearing his name.

Today a laser-etched piece of metal was mounted outside of the studio door.

It reads:

The Doctor Cosmo Production Studio
20th Floor, WPRB Communications Complex
In Memory Of George Mahlberg

I hope that future DJs will see this sign, wonder about the mustachioed madman looking back at them and ask a veteran member of the air staff who Doctor Cosmo was – opening their minds to the limitless possibilities of radio in the process.

Thank you to Joe Heller for providing the drawing of his friend and to Lewis at NextFab Studio for his assistance in getting this one-of-a-kind plaque created.